Edit for cinema?

What if the editor was the first screenwriter of tomorrow’s films? President of Editis (Robert Laffont, 10/18, Julliard, Plon...) and essayist, Denis Olivennes has just debated a decisive choice: to build a catalogue for his only literary force — or to look at his potential for adaptation. Visibility of authors, falling, risk of “formatting”. How to say yes to producers without betraying the page — and when to say no? Rendez-vous for a frank exchange with one of the key patrons of the French edition.