Theatrical success of the year, his adaptation questions the ricochet of forms: was the film of Weir sufficient to feed his gesture, or did the novelization of N.H. Kleinbaum open other doors (internal voice, out of the field, memory)? How, between spirit and letter, did Freiss draw in these two sources to invent a tray writing that makes the “Carpe diem” heard here and now.
Screening of the film on 30/09 at 7pm at the Rialto.